|
>Home
[ Technical Papers ]
Ambiophonics
|
Contrasting
ITU 5.1 and Panor-ambiophonic 4.1 Surround Sound Recording Using OCT and
Sphere Microphones
REFERENCES [1] ITU-R BS.775.1: "Multichannel Stereophonic Sound System With and Without Accompanying Picture" (Geneva, 1992-4). [2] T. Holman, "5.1 Up and Running," Focal Press, ISBN 0-240- 80383-3. [3] M. Williams, "Unified Theory of Microphone Systems for Stereophonic Sound Recording," AES 82nd Convention 1987, London, preprint 2466. [4] M. Williams, "Frequency Dependent Hybrid Microphone Arrays for Stereophonic Sound Recording," AES 92nd Convention 1992, Vienna, preprint 3252. [5] R. Glasgal, "Ambiophonics: Achieving Physiological Realism in Music Recording and Reproduction," presented at the 111tth Convention of the Audio Engineering Society, preprint 5426. [6] G. Theile, "Natural 5.1 Music Recording Based on Psychoacoustic Principles," Proceedings of the 19th International Conference of the Audio Engineering Society, Schloss Elmau, Germany, June, 2001, revised October, 2001. [7] M. Williams, "Microphone Array Analysis for Multichannel Sound Recording," AES 107th Convention 1999, New York, preprint 4997. [8] M. Williams, "Multichannel Microphone Array Design," AES 108th Convention 2000, Paris, preprint 5157. [9] J. Wuttke, "General Considerations on Audio Multichannel Recording," Proceedings of AES 19th International Conference, Schloss Elmau, Germany, 2001. [10] H. Wittek, O. Neumann and M. Sch”ffler, C. Millet, "Studies on Main and Room Microphone Optimization," Proceedings of AES 19th International Conference, Schloss Elmau, Germany, 2001. [11] D. Griesinger, "The Psychoacoustics of Listening Area, Depth, and Envelopment in Surround Recordings and Their Relationship to Microphone Techniques," Proceedings of AES 19th International Conference, Schloss Elmau, Germany, 2001. [12] A. Farina, R. Glasgal, E. Armelloni, A. Torger, "Ambiophonic Principles for the Recording and Reproduction of Surround Sound for Music," Proceedings of AES 19th International Conference, Schloss Elmau, Germany, 2001. [13] R. Miller, "Surround Sound" pages, www.filmaker.com, evaluation DTS-CDs and streaming PC demonstration. [14] K. Hamasaki, T. Shinmura, S. Akita, and K. Hihama (NHK), "Approach and Mixing Techniques for Natural Sound Recording of Multichannel Audio," as presented at AES 19th International Conference, 2001. [15] G. Theile, "On the Naturalness of Two-Channel Stereo Sound." J. Audio Eng. Society, Oct. 1991. [16] B. Blesser, "An Interdisciplinary Integration of Reverberation," AES 111th Convention 2001 as presented, paper 5468. [17] W. Wosczczyk, G. Martin, P. Depalle, J. Corey, R. Quesnel "A Hybrid Model for Simulating Diffused First Reflections in Two- Dimensional Synthetic Acoustic Environments," Proceedings of AES 19th International Conference, Schloss Elmau, Germany, 2001. [18] M. Gerzon, "Optimal Reproduction Matrices for Multispeaker Stereo," AES 91st Convention 1991, New York, preprint 3180. [19] F. Rumsey, J. Berg, "Verification and correlation of attributes used for describing the spatial quality of reproduced sound," Proceedings of AES 19th International Conference, Schloss Elmau, Germany, 2001. [20] "Multichannel surround sound systems and operations" - AES Technical Document ESTD1001.0.01-05 The Author
Robin Miller is a member of AES and SMPTE, BSEE (Lehigh University), musician, consultant, and 53 award-winning producer and studio owner with more than 40 years experience in film, television, and music sound recording and mixing. Article Pages 1 | 2 | 3 | 4 | 5 | 6 | 7 |
