Banner2.GIF (3838 bytes)Technical
Papers

>Home
>What Is Ambiophonics
>Introduction
>MUST READ!
>Related Articles
>Testimonials
>Bio
>Email


[ Technical Papers ]
 ^ NEW ^ 

Ambiophonics
 
2nd Edition
 Introduction
 Preface
 
Chapter 1

 Chapter 2
 Chapter 3
 Chapter 4
 Chapter 5
 Chapter 6
 Chapter 7
 Chapter 8

 Chapter 9
 
Appendix A

 Appendix B

Figures
>Figure 1
>Figure 2
>Figure 3
>Figure 4
>Figure 5

New >> Scalable Tri-play Recording for Stereo, ITU 5.1/6.1 2D, and Periphonic 3D (with Height) Compatible Surround Sound Reproduction
Robert E. (Robin) Miller III ©2003
Presented at the 115th Convention 2003 October 10–13 New York, New York

Recording Concert Hall Acoustics For Posterity
Angelo Farina, Regev Ayalon
Presented at the AES 24th International Conference on Multichannel Audio 1

Transforming Ambiophonic + Ambisonic 3D Surround Sound to & from ITU 5.1/6.1
Robert E. (Robin) Miller III ©2003
Presented at the 114th Convention 2003 March 22–25 Amsterdam, The Netherlands

Surround Ambiophonic Recording and Reproduction

Ralph Glasgal Presented to the AES 24th International Conference on Multichannel Audio, June 26-28 2003, Banff, Canada (Acrobat 4.0 PDF, 0.4MB)

Contrasting ITU 5.1 and Panor-ambiophonic
4.1 Surround Sound Recording Using OCT and Sphere Microphones
(3/21/02)
Robert E. (Robin) Miller III Presented at the 112th Convention
2002 May 10–13 Munich, Germany

Ambiophonics:  Achieving Physiological Realism in Music Recording and Reproduction (10/6/01)
Audio Engineering Society Convention Paper Presented at the 111th Convention Sept 21-24 2001, New York, NY (Acrobat 4.0 PDF, 0.5 MB)

Real Time Partitioned Convolution for Ambiophonics Surround Sound (10/6/01)  Anders Torger and Angelo Farina 2001 IEEE Workshop on Applications of Signal Processing to Audio and Acoustics (Acrobat 3.0 PDF, 55KB)

Ambiophonic Principles for the Recording and Reproduction of Surround Sound for Music  (7/22/01)
Angelo Farina (1), Ralph Glasgal (2), Enrico Armelloni (1), Anders Torger (1)

The Ambiophone (5/1/01)
Derivation of a Recording Methodology Optimized For Ambiophonic Reproduction
Presented at the AES 19th International Conference on Surround Sound Techniques, Technology, and Perception June 21-24, 2001, Schloss Elmau, Germany

^ Back to Top ^